There has been a lot on the yourcodenameis:milo front this month. They announced the details of their new EP, Rapt. Dept, which appeared on the 31st January with superb artwork by Storm Thorgerson (who has done Mars Volta artwork), as well as their forthcoming album, Ignoto. The album (due March) will feature one of the finest song titles of all time, “Unfinished Drawing Of Cats”, as a UK bonus track. As well as this, the video for Rapt. Dept appeared and is fantastic, fitting the song like so few videos beforehand. Moody rock picked apart by heavenly imagery, breaking down into a bizarre ethereal spookiness. Incredibly good stuff on both the audio and visual front.

Bands who split: Mclusky have ended it, after 3 great albums, and Ikara Colt split on the 16th. Both shall be missed.

Idlewild released the video from new single, “Love Steal Us From Loneliness”. Very loose storyline involving two people who are alone, even when together. A playful enough video, but lacks depth. Idlewild played 5 acoustic shows across the country this month, followed by a full electric tour in April/May.

And You Will Know Us By The Trail Of Dead… released their new album, “Worlds Apart”, on the final day of the month. Very heavily hyped, and sounding superb. Trail Of Dead albums have been masterpieces in the past, but this is the one that might live on as seminal.

As observers of this site might know, I had planned on removing film reviews from Solitude, a plan I revised in the comments of that same post a day later. Now the plan was, and is, to wait until the end of the month and compare that months cinema viewing against each other and try to come up with a favourite. This would make my life much easier when it comes for the inevitable best films of 2005 post. As one might expect, there has been a slight hitch in that plan: I’ve only been to the cinema once this month.

Team America: World Police is what you might expect from Matt Stone and Trey Parker when given puppets: silly plots, stupid characters and blatant attempts to piss off the most people possible. Absolutely hilarious in places, the duo know how to utilise odd mediums to make a point, but it lacks in a lot of places; large gaps of the film just don’t have any jokes. Also, the number of jokes that are taking directly from South Park (the “montage” song, for example) is pretty disappointing.

Still, given there are no other contenders, it’s an easy January victory for Team America.

What place does audio have in the web, anyway? The first attempts to integrate sound into the mix were dire, the graves of a thousand midi files testimony to that fact. Is there any hope?

Clearly, people aren’t happy with having strange noises thrust upon them. Browsers lacked sufficiently convenient UI to circumvent the problem so, because of aggrevated users, the web fell silent. Opt-in is the best policy for web audio or, at the very least, players which make it easy to stop the noise.

Alternatively, audio could be used completely separately from traditional web content. Largely static web pages with varying amounts of content are perhaps not an ideal way to use media. We tend to go to a web page, skim it and then move on. With the exception of short, atmospheric background audio this is at odds with how we listen to music (typically 3-4 minutes of continous use). Incompatible? Perhaps.

We need pure audio websites if being used at all. Podcasting and radio broadcasts are becoming more common online and there is a market, however niche it may be at the moment. This is the only real future I see for web audio, beyond the current standard of listening to one or two tracks by an artist. However, we should always head the words of the audioblogging manifesto. A feature for the features sake is usually worthless.

There are (generically) two player types for web audio, whether embedded or otherwise:

• Single stream – Players which feature a single song or a continous sequence of songs which can’t be control.
• Multi stream – Players which feature multiple songs, which can be flicked through in some way.

The former is not a particularly interesting case; it’s essentially just data (music) down a wire (connection). A reasonably solved problem, but useful for radio and simple repetitive sounds (whether using continual loops is good is not being questioned here).

The latter, however, is not as clear cut as far too many players get it wrong. All mature media players should have a feature set including playlist creation (and manipulation), selection directly from playlist, randomisation (“play a song that has not been played recently, using a random but possibly weighted function”), and continous play (“start the next song when this one finishes, regardless of how next is picked”).

This is one reason why Real player fails. It does allow for playlist playback but not selection or creation, making the feature largely impossible to use seriously.

If players for web audio want to compete seriously then they should take a lesson from established players. Or do at least one usability study. I can’t imagine anyone who thinks many players do half of what they want.

Yesterday, we had a look at Real Player as a way of utilising web audio. Today we look at the main contender (in my eyes): Flash.

This is a very different beast. First, Flash player is everywhere. I have no figures giving the proportion of web users who have the player installed, but I imagine it’s a damn sight higher than Real player. While it is highly unlikely to be for the purpose of enjoying web audio, the possibility is still there. Leading on from this, it is apparent that Macromedia do not suffer from the same trust issues as Real. People are happy to install the Flash plug-in into any browser they happen to be using. From the point of view of content producers this should speak volumes: people have Flash installed and are willing to install it if they don’t. The same cannot be said of Real.

Flash is also incredibly easy to integrate with websites, even if that integration is often abused (but the horrors of unskippable flash splash pages are for elsewhere). Your radio/stream controller will look like whatever you want it to. This has the advantage of seamless embedding, but has the obvious downside of lack of consistency (having to learn a new interface for each and every site you visit). Effort has gone into fixing this with standard and relatively feature-rich players recently, such as Soundblox, but it’ll be a while before they become conventional.

Of course, Real are in the business of streaming media so it should come as no surprise that the failure mechanisms in Flash player are far weaker. It hasn’t had millions of dollars spend on engineering relatively sophisticated buffering and pre-fetch technology. Thus, your mileage may vary on sound quality; an important measure in any audio test.

Pros and cons for both, obviously, but which is best? I’m a lazy person. I don’t need the hassle of configuring Real player to my liking. Windows is bad enough, but Linux is a royal pain. My recommendation has to be for Flash. Once more Flash players appear (such as the marvellous Captains Of Industry Radio), I can see a bright future for Macromedia’s entertainment plug-in. Hassle-free, high installation base, a market waiting to be cornered.